He is the name behind many award-winning artworks, films, music videos, and album covers. Vincent Marcone is also a musician, forming one part of a trio in the band Johnny Hollow, an outlet that encompasses his dark and eerie imagery. He is the director of many visual works including The Facts in the Case of Mister Hollow and most recently The Lady ParaNorma. Vincent Marcone is a man of many talents and we caught up with him to talk about My Pet Skeleton: a world where beauty and horror combine to create a dark and emotional journey into your subconscious.

portrait : Vincent Marcone and Bailey Northcott
interview : Tasha Farrington

AUXILIARY ONLINE CONTENT
[ additional content not included in the October/November 2012 Issue ]

We are creating some images for this issue of Auxiliary. I was hoping you could explain how: we’re going to start off with a photo of you, then how you would go about layering and putting it together, and what kind of elements you’re going use to create the piece for Auxiliary specifically?
Vincent Marcone : Well for this project, it’s going to be a collaborative piece between me and Bailey [Northcott]. We’re going to take a lot of Bailey’s photographs and when it’s in my hands I’m going to work with it almost as if it’s a collage, and then try to paint the elements, and the lighting so that it feels like it fits well with each other. Then at the end of it I’ll paint all the textures. In this instance, this will be more of a photo illustration and the three of us have talked about the concept from the beginning and we came up with a caterpillar and Alice In Wonderland, our own kind of weird, twisted version. I don’t know how it’s going to turn out because we just finished the photoshoot, but it’s a good place to start. When you start with a concept it can go another direction, but it’s nice to have a solid, fun concept to start with and see where it goes.

(more…)

Femme and Fatalité : the art of Lori Earley

by Rena Finkel

Lori Earley’s haunting portraiture has been a staple of the alternative and art scenes since she first began exhibiting her works in 2004. The beautiful women in her world are ethereal creatures; fantastic mannerist figures full of secrets. Their large eyes and elongated limbs are immediately recognizable, but it is the elegant-but-fierce melancholy mood that pervades her work that has given Earley such distinction. We were fortunate enough to be able to talk to the New York City artist about her work and her recent diagnosis with Ehlers-Danlos syndrome.

Tell us about how you developed your style.
Lori Earley : I honestly don’t know, it’s something that just came to me naturally. However, I think I might have finally found the reason and source of the distortion which I will explain later on. In high school art class, I was assigned to draw a self-portrait for the first time. When I drew mine, I found that I had a really difficult time making the eyes look real and in proportion to the rest of the facial features. I always inherently drew them much larger than they were. I tried several times after that to make my drawing look realistic but after several attempts, I had to give up because I just couldn’t do it. Whenever I was asked this question, I would say it was something I couldn’t explain. The best way I could put it into words was that the distortion of my figures was a visual manifestation of how I felt inside. The really interesting thing now though is that I was recently diagnosed with Ehlers-Danlos syndrome. It’s an extremely rare, genetic syndrome in which the physical features of someone with it tend to have large eyes, a slender build and stretchy, elongated hyper-mobile limbs, as I do. The reason for this is because Ehlers-Danlos syndrome affects the collagen in your body which is essentially the “glue” that holds your ligaments, bones, tendons, etc. together so it makes you very hyper-mobile and you tend to feel very stretched and elongated. The interesting thing about having this condition is that you can contort your body into unusual positions (many contortionists have the syndrome), but otherwise, depending on which type you have, the pain can be mild to excruciating, and I think the pain has lent itself well to emotions of the figures in my painting. When I found out I had it, it was like an epiphany! I finally had an answer as to where the natural distortion from my figures came from, and a lot of my fans made the connection as well. It was a very interesting discovery! Because I have Ehlers-Danlos though, it can be very difficult to keep up with my painting along with the business aspect of it (amongst other things), so I need assistance and found an amazing assistant who helps me tremendously with my business. She has been working with me for five years now and has become my best friend as well. I feel she deserves to be mentioned because without her, I wouldn’t be able to paint because I wouldn’t be able to keep up with everything because of my condition. So thank you, Sarah Smith!

read the full article in the October/November 2011 Issue

Dirwood [who DJed at our June Issue Release Party] shares his latest musical discovery in this artist spotlight.

It’s a fact that I spend way too much time on the internet.  Most of this time is pointless wandering, but as the saying goes, even a blind nut finds a squirrel every now and then (or something like that).  So my latest find is this duo called Pomplamoose who have been recording together since the middle of the summer of 2008.

The duo consists of Jack Conte and Nataly Dawn who consider Pomplamoose an indie rock band, but their songs also incorporate jazz, funk, soul, and many other styles. When playing by himself Jack’s music has an experimental flavor to it while Nataly’s solo stuff is much more conservative, but when these two combine forces they balance each other out to a perfect blend of both worlds.

The coolest thing is that not only do they give you quality music, but if you keep up to date with their YouTube page each song comes with it’s own video.  These “VideoSongs”, which the group has coined as a new medium, are edited in a way that is slightly reminiscent of what Lasse Gjertsen did a few years back with his “Hyperactive” and “Amateur” videos.

My favorite song by them is still the one that started it all, “Pas Encore”.  With its groovy bassline and super smooth French vocals it is a great way to start the day.  Also, check out “Beat the Horse” and “Hail Mary”.  Their music is available on itunes and also on their myspace page and you can find their video page on YouTube.

- Darren M. Orlowski