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Archive for October, 2012

fashion editorial : Monsters’ Ball

Wednesday, October 31st, 2012

featuring fashions by DarkSpectre Custom Couture

photographer : Laura Dark
makeup artists : Deanna Roberts of Makeup Vamp, Bud Stross of B.A.M. FX, and Amber Johnson-Tedrick of B.A.M. FX
special FX : Aryn Fox of B.A.M. FX, Jason Ervin of Jervin Makeup, and Vault 9 FX
hair stylists : Synthetic Rebellion and Gray Artistry
models : Nez Wilburn, Bud Stross, Manzin, Odette Despairr, Brennan Pepper, Brianne Jeanette, Abigail Dark, Jason Ervin, and Deanna Roberts
skeleton extras : Loren Muzzy, Scott Lynd, Candi Oakly, and Beth Gray
set by : Laura Dark, Nez Wilburn, and Odette Despairr
props provided by : Wilbro Productions and Deanna Roberts
fog provided by : Froggy’s Fog

view the full editorial in the October/November 2012 Issue






film review : Frankenweenie

Monday, October 29th, 2012

Is Tim Burton’s newest film Frankenweenie, a feature-length remake of his 1984 short film of the same name and a dark-humored nod to classic horror movies released just in time for Halloween, worth a trip to the theater?

by Dan Cosgrove

I was really excited when I heard that Frankenweenie was being remade. A dark-humored, animated Tim Burton flick that gives nods to classic horror movies, you say? How could I lose!? I’ve seen and enjoyed the original (don’t tell my fifth grade teacher that my “really creative short story” was actually a plagiarised movie she hadn’t seen…), and being a fan of Burton and classic movies in general, I was psyched.

Frankenweenie completely follows the Tim Burton atmosphere template. A copied and pasted landscape of perfect little houses with manicured hedges? Check. An obnoxious, power-trippy mayor? Check. Gothic teenagers with oblivious parents that don’t get concerned when the crazy gets let out? Check. Ah, suburbia.

If you’ve seen Burton’s sketches, the characters look exactly like three-dimensional models of his work, complete with the scratchy shading that makes everything look like it was created with a ball-point pen, and it’s nice to see actual stop-motion techniques being used over the sometimes-too-smooth flow of computer-animated flicks. Burton’s style is a perfect match to the subject matter, and I would be completely comfortable spending an afternoon poring over sketches used for the film.

While some of the gags are fun and it was well-suited for kids, my main complaint about the movie is that it never goes far enough in one direction to fully do it for me. It’s not cutesy or funny enough to be a great kid’s movie, not creepy enough to be a staple of the style (think Nightmare Before Christmas), and considering the entire nature of the film, it seemed to be severely lacking in black comedy. They had time for a five-minute poop joke, yet the tongue-in-cheek humor never quite seems to come to life.

There’s also a complete lack of conflict or tension. There are scenes involving kids breaking into and quietly snooping around houses while stealing things, digging up corpses in a graveyard and then sneaking the corpses around, all while trying to keep parents, and the mayor, who seems to hate children and everything that they do, from discovering what’s going on. But despite all of this, at no point does the audience feel like anyone’s in any real danger of getting caught or that their actions have any lasting consequences, and it’s hard to be invested in a story with no real conflict.

All in all, I felt very “meh” about the whole feature, despite being a geeked-out fanboy. I’d still recommend it to any fans of Tim Burton or the horror genre in general, but considering it’s a remake of a 28 year old movie that got Burton fired from Disney, I expected much more from it.

All in all it felt like an unsatisfying meal that, though I’m glad to know what it tasted like, left me hungry.

But, while the movie itself was nothing to get excited about, I did have a pretty great time testing myself to see how many references to classic horror movies I could catch. A Frankenweenie drinking game needs to happen. Maybe Bingo.

Here’s my (probably incomplete) spoileriffic rundown of horror movie references that you’ll see in Frankenweenie:
- The science teacher Mr. Rzykruski is modeled after Vincent Price, and is one of the most fun characters in the movie.
- Victor’s classmate Edgar E. Gore is Igor.
- Nassor, a rival of the protagonist Victor, resembles Boris Karloff’s Frankenstein’s monster. Towards the end of the movie, Nassor gets wrapped in paper and entombed like the Mummy, another monster that Karloff played. Side note here: It felt kind of weird to have a kid with no relation to Victor Frankenstein’s family, resembling Frankenstein’s monster. I feel like maybe he should have been a half-brother or something, which would have been easy enough to do since the parents in the movie have such a minimal role.
- Victor’s neighbor (played by Winona Ryder) is named Elsa Van Helsing, a nod to Dracula’s vampire hunter, and looks and acts just like her character from Beetlejuice.
- Mutated sea monkeys (seriously) actually resemble several creatures. They have appearances similar to the Creature from the Black Lagoon, emerge from a pool and behave like Gremlins, and even pop out of a toilet like the Ghoulies. You do remember the Ghoulies, right?
- Toshiaki’s mutated pet resembles Gamera, the giant turtle monster from the Godzilla franchise. he name Shelley is also significant because, hey, it’s a turtle! Get it? Also, y’know, Mary
Shelley was the author of the original Frankenstein. So there’s that, too. Side note #2: I couldn’t help but feel few collar-tug moments with some of this kid’s scenes. He’s Japanese, and is the only non-white character, has an accent, plays baseball, is incredibly smart, and creates a giant reptile. I kept waiting for him to break out a cello and do some calculus before yelling “Gojira!” and doing the Asian version of blackface.
- In the pet cemetery, an angry black cat appears, a la Stephen King’s Pet Sematary. This might be a stretch, but I stand by it.
- The neighbor’s dog, Persephone Van Helsing (seriously), sports a Bride of Frankenstein hairstyle as the result of an electric shock. In my opinion, they pulled out this gag way too early in the movie, and it completely loses its effect over the course of the story.

And that’s just what I caught and can remember from one viewing. Honestly, I’d probably watch it again just to see what I missed. All in all, Frankenweenie is by no means a bad movie, but you need to check your expectations at the door, and enjoy it for what it is.






beauty editorial : Steamdeath

Sunday, October 28th, 2012

featuring fashions from Victoria Wilson Corsets and ClockworkZero

photographer : Shane Phillips
creative director : Pretty Deadly Stylz
fashion stylist : Pretty Deadly Stylz
makeup artist : Larissa Palaszczuk of Blonde Moxie Makeup
hair stylist : Larissa Palaszczuk of Blonde Moxie Makeup
models : Jesse Young, Poisonne, and Madaline Zanni

view the full editorial in the October/November 2012 Issue






upcoming : Halloween events to die for

Friday, October 26th, 2012

We’ve gathered up some of the best Halloween parties happening this year, sure to be what you’re looking for no matter how crazy you want the Halloween party you end up at to be. There are so many parties going on, one is sure to fit your particular brand of dark. We can’t list them all, but here is a selection of some haunting hallows eve events.

New York NY, October 26 
Dances of Vice: Experiment in Terror - A Classic Horror Film Music Retrospective, 1954-1981

Kick off your perfect Halloween weekend by dancing to your favorite classic horror movie soundtracks performed live by Morricone Youth. The event also features Auxiliary Magazine PinUp Marlo Marquise plus Ruby Valentine and Nikki le Villain.

for more info click HERE

Los Angeles CA, October 26
Miss Kitty’s World Famous Halloween Ball 2012

The entire club is opened and transformed into an erotic, living, breathing haunted house of pansexual live performance, shows, dancers, mazes, interactive sets and dirty carnival style games. Featuring the Boulet Brothers, Miss Kitty, DJ Barbeau, Rudeness, Whorehaus, Kate Crash, St Peter D’vil, Carlos Gomez Aranda, and Eric Charles. Hosted by maters of horror Clive Barker.

for more info click HERE

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music video premiere : Steve Bug – Moment of Ease

Friday, October 26th, 2012

Auxiliary Magazine is excited to premiere the new music video “Moment Of East” from Steve Bug, founder of Poker Flat Records and world renowned DJ/producer! This track comes off his latest full length album Noir, which was released this October. Read our review of Noir in our latest October/November 2012 Issue. The video is for one of the brighter tracks on the album which features the vocal talents of French singer Emilie Chick and has her walking around the streets of Paris. Check out this exclusive first look below!

- Mike Kieffer






item of the week : Howliss Werewolf Baby by Vamplets

Friday, October 26th, 2012

image source vamplets.com

It’s Halloween! And as adults we can finally get into the spirit of the thing: dark and spooky and completely scary. But what about the younger ones in your life? You know, those little people that seem to look up to us and want to be like us? How to inspire them to keep the Halloween traditions alive throughout the year? Introducing the Vamplets. More specifically: Howliss, the Werewolf Baby from the Nightmare Nursery! These amazing finds launched in 2011, with a rare batch of sixtuplet baby vampires who each had their own personality, and were dreadfully hungry. I’m a very proud owner of all the boys. I wasn’t able to grab all the girl Vamplets and will be waiting to collect the new versions of them. My niece is in love with her Lily Rose Shadowlyn, and feeds her regularly with a bottle of blood! For 2012, the Vamplet’s Nursury have stepped it up even more, now there is a little friend for all your little friends. VampPETS, Zombies, Cyclopes, Abominable Snowbabies, new Vamplets, and yes, the Werewolf Baby! So if you haven’t heard of them already, I encourage you to check out the amazing little fright-fiends available in the world of Gloomvania. Please remember to share the darkness with all your spooky-inclined friends of every age!

Howliss the Werewolf Baby is available online for $19.95 at www.vamplets.com.

- Tasha Farrington






digital editorial : Other Worldly

Thursday, October 25th, 2012

featuring jewelry by Disco Medusa and Sugarpill Cosmetics, Nars, MAC, and Rockeresque Beauty Co. products

photographer : Sequoia Emmanuelle
fashion stylist : Sequoia Emmanuelle
body painter : Sequoia Emmanuelle
makeup artist : Amelia Nightmare
hair stylist : Amelia Nightmare
model : Amelia Nightmare






interview : ΔAIMON

Thursday, October 25th, 2012

With the CD re-release of their latest EP, Flatliner, on Artoffact Records, there has been a lot of new buzz surrounding ΔAIMON. ΔAIMON’s music trembles with dark, dramatic, and enigmatic tones, conjuring a variety of influences from grave wave and witch house to goth and industrial circles. But rather than just replicate these genres, this San Diego duo has annexed the most appealing aspects to produce a uniquely romantic and intoxicating music project.

interview by : Hangedman
photographer : Kim Lostroscio

If you were to describe ΔAIMON to someone who has never heard your music, how would you describe it?
ΔAIMON : We usually describe our music as primarily working within dark electronic atmospheres built upon nostalgic/melancholic, anxious, and erotic context. It’s sometimes claustrophobic or charged with sexual tension and often rife with occultism but is always a true portrayal of the dynamic between the two of us.

The sound, imagery, and band branding of ΔAIMON follows with the recent trends of grave wave and witch house. Yet ΔAIMON stands out in those genres as a sound with more depth, that draws heavily from industrial and goth genres. Was this an intentional move, a way to do something more with the trend?
ΔAIMON : We were primarily adopted into the witch house scene due to our imagery and shared interests. Having found a sense of camaraderie and renewed enthusiasm for progressive music, we had no reason to disagree with this association. I’d say our particular influences and music background has been what sets us apart from what is conventionally considered witch house. It wasn’t a specific decision to be unique within the trend as much as it was a conscious decision to faithfully represent ourselves regardless of genre defining.

read the full interview in the October/November 2012 Issue






in attendance : Icon of Coil at Cybertron

Wednesday, October 24th, 2012

New York NY, September 8 – Jet Berelson founder of Vampire Freaks can put together a show like no other. Icon of Coil was insanely at it’s finest. The opening band [:SITD:] started to get things going with an amazing energetic set, followed by Icon of Coil amping up the crowd even more. Andy LaPlegua was all over the stage at Gramercy Theatre. When I spoke with him he told me, “his fans mean everything to him.” It was obvious this night as he smiled at his fans and made sure to hit every point of the stage where people could see him. In my opinion, he is a very talented, nice musician, and worth going to see at any show by his many bands: Icon of Coil, Combichrist, Panzer AG.

This night was also one to celebrate Vampire Freak’s own Annabel Fagan’s birthday. This had to have been her best birthday to date as her and Icon of Coil sat in the back and had some birthday cake together.

All in all it was a perfect night.

- Emily Strange

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music video : In Death It Ends – The Devil

Tuesday, October 23rd, 2012

It seems that everyone is watching horror movies lately due to the quickly approaching holiday of Halloween. This new video for “The Devil“ by In Death It Ends fits the theme as it has that horror movie feel. If you take anything out of watching this, it should be to never do laundry when it is dark outside.

- Mike