Andy Deane is perhaps best known for his founding role in the now internationally popular goth-rock hybridized alternative music act Bella Morte. Since touring multiple cities across both North America and Europe, and growing an ever diverse fanbase, Andy Deane has transcended his unique horror style of writing from the music world into that of published horror author. His late novel The Sticks has seen unprecedented success and with both a novella and upcoming sophomore novel release in the works Andy Deane’s authorial accomplishments continue to grow.
photographs and interview by Zach Rose
Charlottesville, Virginia is a city that seems to be teeming with creative artforward individuals such as yourself. Could you describe the impact of artistic culture on the city of Charlottesville? How has it affected you as an artist and writer?
Andy Deane : My family had the first big impact on me. Everyone on my Mom’s side is inclined toward music, so it was natural for me to start singing at a young age. Charlottesville embraced Bella Morte when we started playing shows in town. Our first gigs were in the basement of a Sushi restaurant called Tokyo Rose, and some of my best memories of the band still dwell in that tiny cellar of a club. We eventually started a weekly goth night there which attracted all walks of life. And that’s one of the best things about C’ville, the fact that different scenes support one another more so than in most other places we’ve toured. That openness is one reason that Bella Morte has incorporated so many different styles over the years.
Many long time fans of your band Bella Morte may not by now be aware of your work as a writer. What influences have led you to who you are as a writer today
AD : Odd as it may sound, movies are a bigger influence on how I write than fellow authors. I see the story I’m creating as scenes in a film as I’m writing. It keeps me from dwelling too much on insignificant details. Don’t get me wrong, I read all the time, and I’m sure you can see hints of Richard Matheson, Joe Lansdale, Clive Barker, Robert Howard, and a million others in my style, but I want my writing to be my own.
read the full interview in the August/September 2010 Issue